The winner best hair/makeup Oscars 2016

the winner best hair/makeup oscars 2016, lecoloriste

The winner best hair/makeup Oscars 2016
Winners Lesley Wanderalt, Elka Wardega and Damian Martin for Mad Max movie and they are not in their infancy, but their first Oscar nominations for the film Mad Max.

A sacred evening as tops, Oscar night is a must. The Academy Award for Best Makeup and Hairstyling is an American film award awarded annually since 1982 by the Academy of Motion Picture Arts and Sciences, which also awards all other Oscars.
In recent years we offer a different perspective on the craftsmen of the department hairstyle/makeup cinema. In our section derrière la chaise, a section for artists from the industry of the hair and makeup artists who participate in a success or teamwork. We take the time to congratulate them and present them to you.

This year our 3 finalists films are: Lesley Vanderwalt, Elka Wardega and Damian Martin are in their first Oscar nomination for Mad Max, Love Larso and Eva Von Bahr for the film 100 Years Old Man Who Climbed out the window and disappered and to finish Siân Griag, Duncan Jorman and Robert Pandini for the film The Revenant.

Le gagnant meilleur coiffure/maquillage Oscars 2016, le coloriste

mad Max

The winner best hair/makeup  Oscars 2016 is the Mad Max film

Our three artists Lesley Vanderwalt, Elka Wardega and Damian Martin. Lesley is not in its infancy, since to work on Moulin Rouge and the Great Gatsby.
Mad Max
Portrait of the artistic director behind the hairstyles of Mad Max: Fury Road.
At full speed, Mad Max: Fury Road landed on the screens with a thunderous noise. A how to Imperator Furiosa, a woman behind the red curls of Able, the blonde mane Beautiful Angharad, ethereal lengths Cheedo or tapered square Toast. After Moulin Rouge and The Great Gatsby, Lesley Vanderwalt sign art direction make-up and hairstyles of the new film by George Miller.
It is at Creative Media Skills that the artist explained how the shooting had taken place. Surrounded by a team of 35 people recruited in Australia, South Africa, the United Kingdom and New Zealand, she oversaw the looks of almost 200 actors and extras. The shooting days started at dawn by a one-hour trip to the set, consulting rushes the previous day and a discussion with the director. While part of the team returned to the city in studios to make repairs on wigs and accessories, the appointed hairdressers coiffaient key players, the rest took care of minor characters and extras. It took 80 hours of work per week, approximately.

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Among the most important challenges in the design and production of hair styles Mad Max: Fury Road, Lesley Vanderwalt points out two main. During preparation, the bulk of the work was to implement the vision of the director George Miller and ensure that looks consistent with what he had in mind for the characters.

But that was nothing compared to the shooting conditions that was damaging regularly wigs and required a permanent work on cuts. Sand, temperature changes and waterfalls: many extreme elements that required monitoring of the entire hair team to meet the demands of artistic direction. And when we see the capillary panic that inspires any storm cloud, we can only welcome the coolness of those artists.
Source: Getty